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Digital Foundry

Tech Focus: Kinect - Year One

Wed 19 Oct 2011 7:00am GMT / 3:00am EDT / 12:00am PDT
Digital Foundry

Digital Foundry on Kinect tech evolution and Microsoft's support strategy

Last week's release of Forza Motorsport 4 is the first stage in Microsoft's new strategy of adding Kinect functionality to the entirety of its first party core game output. Almost one year after the release of the depth-cam hardware, the question is, just how far have developers managed to push the system and does the mandatory core game support help or hinder the platform?

By now the raw capabilities of the Kinect platform are a matter of public record: there's a VGA webcam capable of 640x480's worth of RGB resolution in combination with an infra-red depth sensor of the same resolution. On top of that is an advanced multi-array mic that is adept at working out the position of incoming audio - a neat trick.

Microsoft's strategy of force-fitting Kinect into core titles may end up being counter-productive, serving to highlight its weaknesses rather than its strengths.

In essence, what we have here is a full production version of the original PrimeSense reference camera: contrary to rumour-mongering of the time, there are no hardware downgrades, there was no removal of the main processing chip - indeed, with the addition of the multi-array mic and the motorised base, Kinect is actually more advanced than the prototype, perhaps explaining the somewhat high launch price.

Where confusion remains is in just how much access the core Xbox 360 hardware has to this raw spec. Connect up Kinect to a PC and you can stream both camera feeds with full resolution at 30 frames per second. However, initial specs for Kinect on 360 saw depth resolution dropped to quarter res: 320x240. Why?

USB bandwidth is at a premium on the Xbox 360 - the controller chip is significantly below spec compared to a PC and the available bandwidth has to service a whole range of devices including USB flash drives (which can run game installs), Xbox controllers and plastic musical instrument facsimiles. So while a PC can easily get around 30MB/s from the USB port, the Xbox 360 is limited to something like 15MB/s.

So to date, we haven't seen any Kinect titles running the full frame-rate RGB camera feed simultaneously with the depth scan - and while well-sourced news stories indicate that Microsoft has restored the full resolution of the depth camera to its 640x480 spec, we've yet to see any Kinect titles translate that enormous boost into any kind of material gameplay advantage over the launch games - perhaps forthcoming first party titles like Kinect Sports: Season Two and Dance Central 2 will change that.

Some elements of the Kinect tools for developers have been improved significantly over the last year: the core libraries that Microsoft provides to game creators have been refined immensely. For example, it's well known that seated gameplay could not be robustly supported by the skeletal tracking system. While tracking movement of the legs while seated is still an issue, the upper body can now be accurately scanned. Kinect's skeletal tracking works by comparing depth data with pre-stored images, and the accuracy of this procedure has improved a great deal - motions that could only be tracked with borderline precision are now significantly more accurate.

However, some limitations of the system still prove to be far more difficult to deal with - and with the Xbox 360 generation of hardware now coming to an end, it's unlikely that these will ever be seriously addressed. For example, Microsoft libraries only allow the skeletal data to be remapped onto an Avatar for example, so if a developer wants a player's motion to be tracked to another object, custom libraries or middleware will be required.

Similarly, much as Microsoft may deny or ignore it, Kinect has a clear latency problem that generally sees motion-based input processed at a minimum of 200ms - that's a good 50ms slower than OnLive running in optimal conditions, and combined with display lag can see response dulled to a quarter of a second. Microsoft has held numerous developer-briefings on best case programming practises that can reduce lag and theoretically take down input latency to 100ms - but the fact is that the CPU and GPU scheduling techniques being suggested do not fall into line with the way modern games are being made.

Part of the problem is the nature of the USB interface itself. It's believed that the simple process of taking Kinect inputs and beaming them across to the USB port takes around 60-70ms. In comparison, the wireless joypad technology used by Microsoft is a mere 8ms. Secondly, the whole nature of bodily movement is that it generally takes significantly longer to shake an arm or a leg than it is to press a button. Even factoring out processing latency completely, achieving the same function is going to take longer.

As it is, Microsoft's strategy of force-fitting Kinect functionality into its core titles (with several third parties following suit) may well end up being counter-productive in that it serves to highlight the weaknesses of the platform rather than the strengths.

Let's take a look at the most recent release with Kinect functionality: Forza Motorsport 4. The basic interface mechanic is nothing different on a conceptual level to what we've seen before in launch title Joyride: acceleration and braking are entirely automatic with the Kinect tracking hand motion in order to simulate steering. Turn 10's reasoning is that this is the most direct, intuitive interface for non-gamers - but then we are left with the uncomfortable mix of a hardcore game proposition combined with a distinctly "lite" way of playing it. It's an unwieldy fit.

Curiously, the non-headline feature - head-tracking - proves to be a more interesting implementation for the technology. Kinect can be relocated to the office/bedroom/study, perched on top or below your monitor and calibrated to scan the player's head from just a couple of feet away. From here, not only is the location of the head tracked, but the direction the player is looking towards. This works in all game views, but is most effective in the cockpit, where the player can turn his head towards incoming turns, and even check rear view and wing mirrors. The only issue here is that the lag is significant - not what you want in a game where split-seconds count.

Elsewhere, last weekend's reveal of Halo: Anniversary Edition's Kinect features at the New York Comicon also gives pause. There are no actual gameplay functions short of shouting out audio commands - perhaps for the best bearing in mind the highly bizarre Ghost Recon demonstration at E3 where highly exaggerated Kinect motion control function were mapped onto basic interface elements like aiming and shooting.

That said, the issue with audio control like this - and in the forthcoming Mass Effect 3 - is that it adds latency and friction to a system that has already been refined to one or two button presses. It also raises the uncomfortable question of why this functionality didn't come about sooner bearing in mind that a majority of Xbox 360s already ship with a microphone accessory - the Live headset. It's not the greatest quality kit, but it's more than capable of handling a job like this.

It's the drive and ingenuity of game-makers in crafting experiences designed around the hardware that will ultimately determine if Kinect will be renewed for next generation consoles.

In summary, it's safe to say that the technical strengths and weaknesses of Kinect are such that "tacked-on" functionality doesn't really work. Voice control functions in particular fail to impress - these features are unlikely to draw in a non-core audience to a game like Halo or Mass Effect 3, while a traditional gamer is unlikely to waste his time barking instructions to the console when a button press or two gets things done more quickly and more quietly. You can argue that the additional elements are optional and take the form of value-added extras you can safely ignore, but the argument there moves on to why the features are there in the first place and whether developmental resources are being sacrificed in the process.

Turn 10 creative director Dan Greenawalt talks about a massive research effort undertaken in deciding how best to implement Kinect - and yet the net result of this effort is a conceptual carbon copy of what Joyride did a year previously.

In many ways, developing interface schemes for Kinect is very reminiscent of the iOS platform where motion and touch-based control powered the development of new game ideas, and where direct ports of existing joypad-based designs have not performed particularly well.

We've already seen the exploitation of the obvious routes for Kinect concepts in the form of titles like Dance Central, Your Shape: Fitness Evolved and Kinect Sports - each of which have spawned a bewildering range of similar games with like-for-like interfaces. But there is evidence that original titles are emerging which recognise that Kinect is a unique platform that demands an individual approach.

At E3 we saw Crytek's Ryse, which gave the impression that an Infinity Blade style control system is in evidence, with motion standing in for touch. More impressive was Lionhead's Fable: The Journey. Here, the developer has realised that the weaknesses of Kinect can be repurposed into strengths when combined with new ideas: travel through the land of Albion is achieved with horse and cart, with Kinect hand-tracking translated into movement via the reins. How successful it will be in motion remains to be seen, but it's new, it's different and it's designed entirely to make the game work as well as possible with Kinect controls. On the flipside, Terminal Reality's Star Wars game - a Kinect exclusive - only serves to highlight the challenges in developing for the platform and has disappointed journalists in its recent preview outings.

Going forward, Kinect has proven that it has a unique appeal to a non-core audience and Microsoft must surely be considering a 2.0 iteration for its next console, but equally, it has demonstrated conclusively that it is no replacement for the standard controller. Crucially however, it has played a key role in revitalising Xbox 360 sales from a commercial standpoint, increasing the demographics of its audience and offering up a handful of genuinely great games in the process.

Quite how Microsoft plans to follow it up with its next-gen console remains to be seen. A revised, cheaper to produce design combined with a faster interconnect with the host console is a must, while an enhanced field of view would make sense for increasing its functionality in play areas of different space. To really gain traction, the device would ideally need to be bundled in with the console itself.

In the here and now, it's all about the quality of the games - and in that respect the "pseudo-compatibility" we're seeing added to core games seems unlikely to have much impact on the fortunes of the platform going forward. Indeed, there's a strong argument that the undeniable "magic" of Kinect is undermined by this kind of support. No, it's the drive and ingenuity of game-makers in crafting experiences designed around the hardware that will ultimately determine if the system will be renewed for the forthcoming next generation consoles.

7 Comments

Joe Winkler
trained retail salesman

162 1 0.0
Great article. The voice controll was already a laughing issue when it was announced at the last E3. Why don't use the Headset in the first place? Look at TCLs Endwar that showed how it's done.

Posted:2 years ago

#1
I still have yet to find a decent first party kinect game to connect with

Posted:2 years ago

#2

Lewis Brown
Snr Sourcer/Recruiter

194 41 0.2
I bought a Kinect, I would be disappointed if the hardware couldnt be passed onto the new Xbox when it arrives it was not a cheap add on. Although I feel I already know the answer!

Posted:2 years ago

#3

Ronan Price
Assistant editor

11 0 0.0
As fiddly as it turned out, I still think Sega's Rise of Nightmares was a decent stab (heh) at grafting Kinect onto a traditional experience. Sure, it got confused with lots of monsters on-screen but for me it worked on a tactile level of, say, swiping to open sliding doors and pulling levers, etc. It was novel if nothing else and shows that with a bit of inspiration you could create a different kind of storytelling.

Posted:2 years ago

#4
I think Kinct is pretty good and responsive depending on the game. Forza 4 was a disappointment for me. I expected more control. It works and works well but it's dumbed down to just steering. It's better then Joyride though. My next problem with Kinect is the bias review of games. I totally wrote off Rise of Nightmares until I saw it in action at a friends house. I so want that game now. The Metacritic score is terrible but the user score is 8 which is right on point with what I think. Kinect Sports, Dance Central, Fruit Ninja, The Gunstringer, Your Shape Fitness, Rise of Nightmares and Child of Eden are in my opinion all great Kinect titles.

Posted:2 years ago

#5

Curt Sampson
Sofware Developer

564 278 0.5
Hm. Sounds like it's clearly a case of using a feature because it's there, whether the core content needs it or not. Much like putting pictures and captions in an article that doesn't need or do anything useful with them....

Posted:2 years ago

#6

Jeremie Sinic

43 18 0.4
If I had the guaranty that Kinect would be compatible with the next Xbox, I would buy one right now, knowing that anyway, even though it might not be mind-blowing yet, I might exploit its potential in the future. But now I am holding on my dollars because I didn't find a title that justify the Kinect purchase yet (for me).

Posted:2 years ago

#7

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