Last week at the Festival of Games in The Netherlands the next One Big Game project was announced - WINtA - a collaboration between Triangle Studios and NanaOn-Sha.
Here, legendary NanaOn-Sha president Masaya Matsuura explains more about how the project came to be, and where the inspiration for the game's music originated.
I think the first time I met Martin was much earlier than when the One Big Game thing happened - but when it started some friends of ours suggested that we re-connected, which was a big help.
For me, as a Japanese person, I'm not so enthusiastic about donating to charity, and when people from The Netherlands approached me... Maybe I'm not able to trust that easily. [smiles]
But we had many mutual friends, especially around the GDC parties, and people pushed Martin to approach me. I felt I could help, because for the previous four or five years, when I first attended GDC I was suddenly offered a board member position.
So I've wanted to contribute to the games developer society and communities - and I've done some things, but I hadn't yet been able to do anything big. Therefore, One Big Game is a very connected project for me.
I remember the first couple of years, after Martin initially approached me, we weren't really able to do anything - we threw some ideas at the wall, but nothing would stick. At first I thought the best way would be in contributing to create a standard collaboration - so my first idea was to rebuild a classic game as a music-based game.
But of course, many of the well-known games are owned by other companies, so it's not easy to unlock the IPs, even though it's for the One Big Game charity - and it didn't work.
So I decided to go about it a different way, and I realised I had a track I'd never released before to the public, which was WINtA. I wrote that right after the September 11 attacks - we had two US staff in the company at that time. One of them was working in the Tokyo office, but the other one was travelling from Boston to Chicago on that day.
When the attacks happened, we had no information on his flight - I got a call to turn on the TV, it was around midnight in Tokyo, and we saw what was going on. We couldn't contact our guy at Chicago airport, and it was in fact 24 hours before we were able to speak to him. He was in the same plane for about 20 hours or so...
Later on, I was watching the news - CNN maybe - when people were demonstrating afterwards, and there were banners saying: "War is not the answer". At the time I couldn't connect that phrase with Marvin Gaye's original lyrics, and I decided to use it for my own track. It was only afterwards that I realised.