From BioShock to The Black Glove

I'm not the kind of person to sit idle, so I started thinking pretty quickly about what kind of game would challenge us creatively and be suited to the talents of these amazing artists who had a hand in the making of incredible worlds of Columbia and Rapture.

Narrative-based games have been focused on uncovering narrative instead of interacting with it. Tackling that head-on seemed like a fun and interesting creative challenge for a game. Part of it came from seeing the play Sleep No More, which is a series of concurrent performances set in a beautiful old building that you could spend hours just exploring. I loved it, but as a gamer, I wanted to interact with the story. That helped inspire the ability to change the past to alter the game narrative and world around you.

I also wanted to speak to feedback that gamers have consistently brought up over the last few years: that they'd love a chance to explore beautiful, immersive game worlds and enjoy engaging narrative without having to constantly kill or be killed. That doesn't necessarily mean they don't want gameplay elements, but they want to be able to take it all in. That led me down the path of the sort of William S. Burroughs' “certain games of skill and chance allow us to interact with fourth-dimensional space” idea and The Maze of the Space Minotaur, the weird 80s arcade game that you play in The Black Glove...and which starts seeping into reality in very surreal ways.

It became clear that making an eerie, moody game could be really fun and with the team's experience we could do it all with AAA production values, but on an indie game budget.

Vitally important. The Black Glove won't get made without it. We still have a long way to go and it's going to be tough, but it's been done before, so we're going to do everything we can to make it happen. We have many updates planned to show people all the weird fun, sights, and sounds that The Black Glove will offer. There are some big announcements and new footage on the way soon.

If this sounds like the kind of game that readers want to play, I'd ask them to visit our Kickstarter page and consider backing the project and helping us spread the word.

We definitely considered more traditional funding routes like finding angel investment, but we always felt like self-publishing was the answer for us. There are many indie games that showed that you can go directly to the fans. That's not to say we think that publishers are bad, but we feel like this is the best way to make an uncompromisingly original game.

The team learned an incredible amount about making immersive, narrative-focused games during our time at Irrational Games. The Black Glove is meant to not only spotlight those skills, but to push us to develop them further in many compelling, new ways. That seemed like not only a game that would be fun to make, but a blast to play.

I'm sure I'll end up losing sleep over practically every single part of the process at some point. I feel an enormous personal responsibility to everyone making the game - and that's now been extended to everyone who is backing us via Kickstarter. That's a lot to live up to, but what's life without fun, interesting challenges?