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Western devs "working harder," taking more risks - Mikami

Western devs "working harder," taking more risks - Mikami

Mon 01 Jul 2013 2:16pm GMT / 10:16am EDT / 7:16am PDT
Development

The creator of Resident Evil talks to us about his new game The Evil Within, violent games, and the state of Japanese development

Bethesda Softworks

The Bethesda Softworks division, founded in 1986, has a long history of success as a developer and publisher...

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Shinji Mikami, the creator of Resident Evil, hasn't made a survival horror game since 2005, when he took over directorial duties for Resident Evil 4. After working on startups like Clover Studio and Seeds Inc (which effectively became Platinum Games), Mikami is finally ready to tackle the survival horror genre once again at his new company Tango Gameworks (which was acquired by Bethesda). The Evil Within is planned for PC, current-gen and next-gen consoles next year. GamesIndustry International caught up with Mikami during E3 to chat about his game and why Western developers seem to be ahead of Japanese studios.

For Mikami, the difference between the East and West was apparent for him even while he was still employed by Capcom. "Games have become big projects, requiring a lot of resources both to create and market. Games have become more risky. Japanese companies don't take those kinds of risks like Western developers do. In the past, what the Capcom president [Kenzo Tsuijimoto] told me was that game development is becoming more and more expensive and many Japanese publishers won't be investing $30 million or more in a game," he said.

Mikami noted that Western developers seem to be "working harder" but "if we can invest $30 million into a game, we can win." Of course, Bethesda Softworks wasn't about to disclose what the development and marketing budget is for The Evil Within, but if we had to guess it's likely over $30 million.

Mikami is no doubt happy to be a part of a Western game company but he emphasized that "there are still a lot of good [Japanese] companies." Even so, he'd like to see more Japanese developers utilize Western tech when it can help. "As for the organizational structure of companies, I think it would be good if companies would be more flexible about incorporating foreign technologies," he said.

That's certainly an advantage for Tango as it works on The Evil Within, as the studio is leveraging id Software's proprietary id Tech 5 engine, which he said is easier for Tango to customize than something off-the-shelf like Unreal.

Mikami told us that he lacked "motivation" in the survival horror genre after working on similar games for a long time, but in the years since he stopped working on the genre he's seen a lot of concepts that he's strongly disagreed with. He wouldn't get into details, saying "I'm not allowed to say bad things," but he noted that Capcom "started going in a different direction with Resident Evil" and so he got the itch to come back and create "true" survival horror.

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The master of survival horror believes now is a great time to reenter the genre too, because next-gen technologies offer much higher graphical fidelity, which makes the game "a lot scarier." That's "a big advantage over the previous generations," he said. Mikami's also intrigued by future possibilities involving camera technology like Kinect, which can track facial expressions and a player's heartbeat.

"If the accuracy improves and we can really observe the player's facial expression and heartbeat the game could react to that and that could really be something we could use for survival horror," he agreed.

The horror genre, whether in film or games, is not exactly a non-violent one. Given the pushback some in the industry have seen with violence, we asked Mikami if he's at all concerned with how people might react to the violence in The Evil Within, but the veteran developer clearly is not worried about it. "I don't really pay attention to that. Games are not really a time for morals, they're entertainment, so if you want more morals, you should go to someplace like a school. We're making entertainment," he said. [It's worth noting that Morals is actually a subject taught in Japanese schools, alongside English and Math.]

While Mikami is knee-deep in development on The Evil Within, he did note that he'd be interested in making something for the mobile market one day. It's not likely to be a survival horror game, though. "Horror games aren't good with small screens," he said. If he gets management's approval, however, he said he'd be interested in doing something with mobile later on.

For now, Mikami just wants to scare the pants off gamers. People shouldn't expect a Resident Evil experience going in though. "The fear and the triumph of overcoming fears is the same. The different thing is that the Resident Evil series has its fears (zombies, etc.) grounded in science - viruses and stuff - whereas in The Evil Within, the background of those fears are more cerebral, more psychological, like the evil within the human soul. That's the big difference in concept," he said.

6 Comments

Slade Wilson
Financial Analyst

14 11 0.8
Hes backwards. Money doesnt mean risk. Japan still makes the best games

Posted:9 months ago

#1

Paul Jace
Merchandiser

770 1,005 1.3
I find it interesting how so many prominent Japanese developers find Western development so much far ahead(and better) than their own Japanese development. I can't remember hearing any Western developers say the reverse. Personally I like(after looking thru my game shelf) far more Western made games than Japanese ones. But at the end of the day, a good game is a good game regardless of where it was made or who made it.

Posted:9 months ago

#2

Nicholas Pantazis
Senior Editor

968 1,162 1.2
I somewhat agree with Slade. Japanese games certainly tend to be more unique, so long as we're talking about big developers and not indie games. How many western games are shooters, racers, sports, and action games? I'd say a solid 90%, but in Japan you still get clever puzzle platformers, crazy twists on classic RPGs, and, well, Nintendo. I don't think the West is in any way ahead of Japan, and the higher budgets are making the games blend together even more if anything (look at EA).

Western indie devs on the other hand are the forefront of innovation and unique ideas, and Japanese indie development is currently mostly on smartphones, rather than PCs or consoles.

Posted:9 months ago

#3

Matt Walker
Production Coordinator

41 23 0.6
The grass is always greener, friends. ^_~

Posted:9 months ago

#4

Justin Shuard
J - E translator

28 80 2.9
I think that while the Japanese don't have the same budget as western developers they tend to use their budgets more wisely. A game like Dark Souls is quite bare bones in terms of budget, but is streets ahead in terms of innovation and gameplay mechanics. You can tell they really squeezed every yen out when making the game rather than blowing it all on fancy cutscenes and tacked on multiplayer modes. And it shows - it's by far one of the best games of the generation, even given the budgetary constraints.

Posted:9 months ago

#5

Adam Campbell
Associate Producer

1,119 889 0.8
Inafune, Mikami and Kojima are three prominent Japanese games industry figures that have held this opinion for a long time.

I think we can say with some certainty that they want their studios to achieve something in terms of game play, graphics and success that they have not been themselves yet have observed in the west.

This thinking may not be agreed with by everyone but it has prompted changes. Look at Kojima Products, Capcom and Square-Enix for signs of this in their multi-target focus and their approach to internal technology platforms, to an extent we haven't seen before. These changes were prompted by figures in the organisation looking across at the west with amazing internal technologies and an ability to release big games on three or four platforms in a couple of years, with little trouble.

Posted:9 months ago

#6

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